I Can Not Stress Enough...

There's a little voice in my head that moonlights as an escape artist.  It must be, because no gag or act of psychic bondage will shut the little son-of-ma'-brain up.  It is in essence a control valve for my ambition, and it goes a little something like this:

"Jeff.  Jeff.  Jeff.  Jeff.  Jeff.  Hey Jeff.  Jeff.  Jeff.  Hey Jeff.  Hey.  Remember that thing you have to do.  You know: the thing.  Not the one thing, but that other thing.  But do the other other thing first.  And then remember to come back to the first thing I mentioned, and then do that one thing.  If you can't remember any one of these things, well, you're probably going to screw it all up.  Actually, you will.  Screw it all up.  It's already screwed up, by merit of you being the one who has to do it.  It's all going to turn out very, very badly - even worse than using an adverb in an ambiguous context.  Which you just did.  Worse yet, the aforementioned screwing up will occur as a result of a spiral of failure starting with some small thing and eventually taking the entire endeavor known as YOUR LIFE down like the Titanic.  Because that's what happens to big, ignorant things.  Hey Jeff.  Hey Jeff.  If you don't stop sucking soon, it may already be too late..."

He's an extremely helpful little guy.  Especially when one is dealing with multiple deadlines.

Recently I added to my roster of responsibilities some work for a company that sends actors in to corporate environments to facilitate lessons in communication between managers and their team members.  I was wary of this sort of work at first, because

Wife Megan

worked for one such institution when she first moved to NYC, and they sounded horrible.  Very touchy-feely, metaphoric and therapeutic in their approach, which I personally find inappropriate for a work environment.  (Yes, even in theatre work - a debate best left for another post.)  Fortunately, the place I'm working for now has a more pragmatic view of communication in the work place, and it's one I thus far agree with.

So I'm trying to apply their philosophy to a conversation with my extremely helpful little guy (henceforth "EHLG").  It might go a little something like this:

Me: Hey EHLG. How are you?
EHLG: Hey Jeff. Hey Jeff.
Me: Um - hey.
EHLG: You know what?
Me: What's that?
EHLG: You suck. At living.
Me: Okay, see-
EHLG: Living is something you're very bad at.
Me: EHLG.
EHLG: Hm?
Me: Do you see what you just did there?
EHLG: You mean the way I spoke truth to power?
Me: Well from my perspective, you tried to tear down power.
EHLG: Word up.
Me: But see, EHLG, I don't have much of any power over you.
EHLG: Word up.
Me: And if you tear me down, it only hurts both of us.
EHLG: Word...huh.
Me: What is it you're hoping to get out of this?
EHLG: You know, you're not very good at this feedback stuff.
Me: Okay.
EHLG: You fake it pretty good, but that can only take you so far and pretty soon you're going to fail and suffer.
Me: I'm suffering now.
EHLG: Not as much as you will if you keep going.
Me: Is that a threat?
EHLG: You know, you're not very good at perceiving threats.

And let's take a little break here.  This is a weird post, I'll admit it, but also pretty interesting to me, I must admit as well.  The first practice session I had with the feedback-training company got confusing quickly, because we were all trainees and we ran sessions with one another.  That meant that in addition to trying to learn the techniques the company used in role-playing, we were at times role-playing being a facilitator who was role-playing being an employee of a manager/student who was, him or herself, a role-player; all the while improvising a scenario with specific given circumstances.  (WE HAVE TO GO DEEEPER [

BRAAAAHHHHHMMMMM...

].)

The big mistake I made in that practice session was not when I was playing the manager, but the actor/facilitator.  I got confused, and came on too strong with the obstacle that "manager" was being asked to deal with.  Ideally, one wants to adjust to his or her level of intercommunication and nudge it towards something more, and I just barreled on through with my characterization instead.  Call it my learned imperative response as an actor.  I've gotten better at it.  One key element is to insert a pause in the role-play for analysis and discussion.  It allows the manager to reflect and feel permitted to try a fresh angle.

EHLG: You suck.
Me: Thanks EHLG; I appreciate your feedback and will try to consider it in future endeavors.
EHLG: You're welcome.
Me: I wanted to talk to you today about your feedback, actually. Have you found it to be getting you the results you want?
EHLG: Mostly. I have to keep repeating myself, which is pretty irritating, but that's the way it goes when you're talking to someone sucky.
Me: Have you thought about trying a different approach?
EHLG: Oh, I'm always changing gears: you suck, you blow, you aren't good at anything ever, you are justly hated and/or despised, your failure is compounded by your ugly face and funny clothes, etc.
Me: You do spend a lot of time coming up with that feedback
EHLG: Thank you.
Me: Let me tell you, though, that what I see is that your negativity is working against you, making your job harder on yourself.
EHLG: You're not very good at perceiving reality.
Me: Thanks, EHLG, for phrasing that in that way.
EHLG: What way?
Me: "Not very good."  You did that earlier, and I really appreciate when you show that consideration for me. It makes me feel better about listening to you.
EHLG: Your feelings are unimportant and stupid.
Me: You're welcome to have that opinion, but can I just point out that by assuaging my feelings, you make your job more efficient? In addition, by ignoring them, you imperil your position in this personality.
EHLG: I do?
Me: Of course, I wouldn't want to lose you if I can help it, EHLG.  You are always working, always keeping an eye on your well-being, and I appreciate the vigilance.  It's just that your negativity threatens to bring down everything you touch, and I of course can't have that happening. By being so aggressive in your input, you're alienating essential coworkers, like passion and inspiration.  Do you understand what I mean?
EHLG: Yeah.
Me: What do you think about that?
EHLG: It's stupid.
Me: Well, let's agree to check in again next week, at which time we can review your progress and make some decisions about what will help us work together better.
EHLG: That's stupid and sucky and you're stupid and sucky and I hate you.

Sometimes, you just have to be proud of how well you can handle a situation, and hope to get better results next time.  Having a little understanding for yourself can help with stress, too.

The First Step is in Recognizing you Have a Problem

A collaboration with Pavarti over on The Node, submitted sans comment:

Loch Ness Monster - Chronic Insecurity
Far from his reputation for being "elusive," the Loch Ness monster is all up in e'rybody's grills, all the time. "I'm told I'm the best at hiding," he'll let you know at any available opportunity, all while preening for some unwitting tourist's camera. Then the photographer will try to leave, and Nessy will be all, "Oh, you have to go, huh? Right now? What've you got planned? Who are you meeting? It's not Duncan, is it? Well can I come?" If you say yes, you'll have to discretely text Duncan and anyone else to give them fair warning while Nessy stumps along behind, talking incessantly about being the best at walking on fins. And if you say no, well...have you ever had such huge, wet, black eyes stare at you while a prehistoric amphibian mumbles something about guessing he understands, what with how close you and Duncan are and all? Actually, it's not so much that no one can capture Nessy - it's that they quickly discover there's too high a price to pay for that particular accomplishment.

Vampire with Seasonal Effective Disorder

Nosferatu's attitude is just turning south. We JUST turned the clocks back, isn't his depression supposed to hold off at least until December? I don't know if I can take another winter in this cave with him. The rest of us are partying, thrilled to be able to have so much time out in the world, but whiny pants just can't stop muttering about needing a UV lamp. Seriously? He can't have that thing in here, if he wants to burst into flames that's fine but other people live here too and personally I'm perfectly happy without the tan.

Yeti - Body Dismorphia 

"WHAT ARE YOU DOING HERE! WHAT ARE YOU DOING HERE! You are not supposed to BE here! Oh, GOD! I don't have nettles in my fur, my claws aren't christened with fresh ram's blood, and...OH! Well, the timing couldn't be worse. I mean, I've only consumed five whole rams per day for the past three months. Of course I look WAY too skinny. If I had known you were coming, I could've plumped up a bit and been properly Neanderthal, or closer, anyway. If I had known...but it's too late now, isn't it? You've seen. You're already judging my fur. IT'S TOO SILKEN, YOU THINK I DON'T KNOW THAT?! Some of us just have finer hair, and that's all there is to it. You know, we just, like, get the wrong impressions from the media. Ever since that damn WAMPA movie came out - you know the one - we're all supposed to be 500 pounds and have HUGE tusks. Forget it. I'm going to go eat a truckload of vegetables and then get a bikini wax. That'll show you. THAT'LL SHOW YOU ALL!"

Chupacabra - Trichotillomania

Hi. Uh, hi! Down here! Yes, hi. I, uh...I don't go to parties very often. I don't know why, I guess I just don't think of it. How are the pigs-in-a-blanket? No, no, I haven't tried them. Too cooked, you know how it is. Plus I'm kind of full. Um, so.... What? Oh yeah, I'm fine. Why? Oh, the mange, you mean? No, it is, it's mange. Um, well.... I don't really think it's a problem, but I kind of maybe over-groom. A bit. A little bit. I'm going to stop. Totally. I mean, I know it's a little off-putting, what with the scabs and all, but hey, look: you try combing with these fangs some time and see where you get. So anyway, how about that Middle Eastern sit -ACK! Oh, excuse me. ACK-ACH! ACGGGGGGHHHHCHOHKK! Oh wow. Sorry. Hairball. I...hey, where are you going? Okay. Can you maybe grab me a bit of the goat tartare, if there's some left?

Wolfman with Classic Narcissism

I find it difficult to go out. You know, there's always that feeling of living up to what people expect of you. I mean, really, I just want to be a guy. I know that I intimidate a lot of folks but, it's just hair. It's luscious and soft and stays perfectly in place but in the end it's really just hair. Always having to be the beautiful one really takes its toll on me. One day I'd love to just be the fat friend or the ugly friend, you know, stay out of the limelight, but it seems like no matter what I do, everyone's eyes are trained on me. I guess that's the price you pay for beauty...

Jersey Devil - Performance Anxiety 

Guys, I'm starting to worry about Jersey, for reals now. Ever since we did that tour through Connecticut, he's been missing practices and spending lots of money on new gear. He says he's working on new stuff, but he won't let me hear any of it. Just mumbles something about "progressive alt-anti-folk with a dub-step beat" and how "it's not ready yet." I mean, he's got the perfect metal look and all, but even on tour, didja notice his bass just kept getting quieter...and quieter? And, I mean, I'm not even that close to him or anything, but even Delaware Succubus thinks something's up. She said something about "gone soft," or "completely impotent," or whatever...

The Boogey Man with Generalize Anxiety Disorder

Sometimes I just feel so overwhelmed. Like I just want to crawl under a rock and die. There's so much to do, so many kids to traumatize and so much pressure to really get it right. You know there are movies about me? And books and songs!? But whenever I'm out with the guys I just feel so disconnected, they have jobs and families they can talk about and I just feel the panic rising in my chest whenever the conversation turns my directions. Lately I don't go out at all. I feel safest in my room. This Saturday there's a bachelor party for The Blob and I don't want to go. Just the idea of all those people, god, I feel like I'm going to throw up just talking about it. F%*#...I can't catch my breath...I need to just go lie down for a while...


Medusa - Battered Person Syndrome
This fall, check out the new romantic comedy from the people who brought you Over Her Dead Body and Mannequin: On the Move!  In spite of her seductive good looks, nothing has worked for Medusa - bars, speed and online dating, even her shadchen can't help this brash beauty out.  Men seem to just freeze up around her.  Her so-called friend Athena even switches her conditioner with ammonium thioglycolate.  Some girls just can't catch a break!  And just when she was starting to get comfy with the idea of eating in every night for the rest of her life, along comes an intrusive neighbor: Perseus.  He's ripped, he's rude, and he's got a bad attitude - and Medusa just can't get enough of him!  Watch her try to circumnavigate his gruff exterior, and find the loving man she knows he can be, if he'll just stop hysterically screaming and weilding blades!

BatFan Fiction

Kids, hit the above button for translation.

I have of late, and wherefore I know not, recently acquired several followers on my

Google Reader shared items

who live in the Middle East.  I'm sure these things tend to spread from friend to friend, etc., and it's largely coincidence, but

Friend Andrew

and I got to discussing it, and theorizing why things might trend that way for me.  We decided it had nothing to do with theatre, or comedy, or philosophy, or collaboration, or my geopolitical proficiency.  No, to us it was clear: Middle Easterners love The Batman.

I mean, who doesn't, right?  Of course right.  But just think: What if there is an untapped creative trove of fan fiction depicting a Bruce Wayne/Batman of middle eastern descent?  If we could somehow harness said trove, what sorts of stories would it produce?  That is the challenge presented herein.  Write a Batman story in which he originates in the Middle East.  Refresher: The "Middle East" as we know it consists of about eighteen countries, but for the purposes of the assignment you can also use countries classified as part of the so-called

Greater Middle East

.

Some guidelines:

  1. For short summaries, feel free to use the comment section on the Aviary itself, not Facebook.  For longer versions, please email.
  2. I reserve the right not to publish anything I dang well please.  Some rules to help you get published:
    1. Nothing hateful, unless it's hateful of superstitious, cowardly criminals (and there's room for interpretation there).
    2. Nothing overtly political - that is, politics can of course be used as a story element, but this 'blog will not be made a platform for political arguments.
    3. Dark and brooding is good.  So is a sense of humor.
    4. If the Internet can't translate it, I can't read it.  It probably won't be allowed to stay on the island.
    5. Try to avoid Survivor references wherever possible.

And that's about it!  Okay, folks: submit to me your concepts.  I would be THRILLED to hear from some of my international buddies on this one, of course, but you in these states united, don't be shy either.  Just promise they'll be good.

SWEAR TO ME!

Update, 12/31/10:

  Friend Kate sent along this little nugget about emerging Muslim superheroes:

Irtiqa 12/21/10

.

The Puppeteers; or, In Spite of It All

The development 'blog for the next Zuppa del Giorno show went live today, and here is where you can see it all go down: 

http://thepuppeteersproduction.blogspot.com/

.  Watch, enjoy, and comment as you see fit (comments

will

 be moderated, however).  I'm excited to make this show a little more "open source" to its audience and our friends who for one reason or another may not be able to make it out to Scranton in the dead of winter.

We have also finally scheduled our first official development rehearsal: October 2-3, to be held in New York City.  It was my ambition to have our first this weekend, but with actors in three (count 'em) different states of this great country of ours (well: two states and a commonwealth) it just was not mean to be.  So we'll get as good a start as we may at the beginning of October, and see where we all end up at the end of that.

I've avoided writing too much about this process in the Aviary thus far in the interests of keeping it private until we had a little more sense of direction - but just a little more.  The evolution of this show will be intricate and slow, and I'm excited by the prospects of both our invited collaborators, and anyone else who decides to poke their noses in.  As a result of my excitement, you may be seeing a bit less of me here at the Aviary, for which I do apologize.  But if you need me, you'll know where to look.